Questions 1 and 2 are based on this passage
Nielsen is aware that for many readers, including the anthologists who create textbooks, African American literature is thought to be primarily realistic in style and sociological or political in content. Avant-garde expressions—beyond the obvious examples offered by Langston Hughes, Amiri Baraka, and Ishmael reed—are frequently overlooked. While such a narrow view is more readily apparent in critical attention given to fiction than in that given to poetry, it certainly skews anthologies. Nielsen is acutely aware of the serious political motives that often underlie such compilations and is also concerned that the currently popular critical paradigm of an oral tradition might deflect proper attention due African American literary traditions.
Consider each of the choices separately and select all that apply.
The passage suggests that Nielsen has which of the following concerns regarding anthologies of African American literature?
That the anthologies overlook the work of the important avant-garde writers Langston Hughes, Amiri Baraka, and Ishmael Reed
That the anthologies focus on a particular type of literature at the expense of other types
That the anthologies give insufficient attention to the oral tradition in African American literature
Select one or more answer choices.

