Questions 1 and 2 are based on this passage
Although Klezmer—a style of traditional Jewish folk music from Eastern Europe—grew from very diverse musical traditions, Roma(Gypsy), Greek, and Romanian elements eventually became so predominant that some scholars refused to recognized klezmer as a separate genre. If one listens closely, however, one can learn to distinguish the sound of a Klezmer interpretation from other related performance styles. Yiddish-speaking Jews routinely use several uniquely descriptive words to identify the sounds found in the Jewish approach to music. Krekht(Yiddish for “groan”)refers to a wailing sound reminiscent of weeping, tshok refers to a laugh-like instrumental sound; and a kneytsh is a sob-like “catch”. These and other elements typical of klezmer are also found in other forms of Jewish musical expression, including cantorial music.
Consider each of the choices separately and select all that apply.
It can be inferred that the author would be likely to agree with the highlighted “some scholars” about whether
any traditions other than Roam, Greek and Romanian contributed to the development of klezmer
the degree of resemblance between klezmer and the Roma, Greek, and Romanian traditions is enough to preclude klezmer’s being a separate musical genre
such musical devices as the krekhts are found throughout Jewish musical expression
Select one or more answer choices.

